Without inquiring into the correctness of the latter part of the story, it may be sufficient to state, that Black Mary was a person in whom Jack Sheppard thought he could confide, and, as Edgeworth Bess was incapable of much further exertion, he determined to leave her in the old woman's care till the following night, while he shifted for himself and fulfilled his design—for, however rash or hazardous a project might be, if once conceived, Jack always executed it,—of visiting Jonathan Wild at his house in the Old Bailey. Placing chairs, therefore, he invited the ladies to be seated, and, paying a similar attention to Jack, began to help to the various dishes, and otherwise fulfil the duties of a host. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. ’ ‘I will not. Sheppard, faintly. Anna comes to London. He looked eager and flushed and troubled. She could tell that he probably wanted to kiss her, but she did not act upon the opportunity. “I’ll go,” she vowed to the night, “or I’ll die!” She made plans and estimated means and resources. Yet even now there were so many things untouched, so much to be learned. "Who, then?" demanded Jack. "Hear me out," said Jonathan. Capes looked at one and not over one, spoke to one, treated one as a visible concrete fact.
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